Cloudland
Aotearoa Digital Arts presents Cloudland, a showcase of New Zealand
artists for ISEA 2008 in Singapore. The exhibition features film,
video, installation, and sound works by Len Lye, et al., Stella
Brennan, Alex Monteith, Kentaro Yamada, Bruce Russell, PSN Electronic
(Peter Stapleton, Su Ballard and Nathan Thompson), and Adam Willetts.
Cloudland, curated by Su Ballard, Stella Brennan, and Zita Joyce, is
one of only four exhibitions invited for this international
event.
The works in Cloudland
demonstrate the range of electronic art
practices in New Zealand, by focusing on the ephemeral nature of both
digitality and place. Each of the works imagine and articulate place:
in Len Lye’s scratch film Free Radicals
(1958/79) the velvety
black of celluloid suggests the interatomic void; in Stella
Brennan’s South
Pacific (2006) the vast ocean is glimpsed by
radar, video and ultrasound; Etherradio
(2008) reveals unseen
atmospheric intensities through the radio-based sound work of Bruce
Russell, PSN Electronic (Peter Stapleton, Su Ballard and Nathan
Thompson), and Adam Willetts. In Kentaro Yamada’s Listening Heads
(2006) the viewer is situated through gaze and the glance in a
simulation of human interaction mediated by the screen. Alex
Monteith’s four-channel video installation Composition for
farmer, three dogs and 120 sheep (2006) choreographs sheep
mustering
into a meditation on the camera’s framing of time and space.
The
work reflects on the agrarian archetype that is both keystone and
millstone for New Zealand’s self-representation. In et
al.’s the
social meaning of things (2008) space is distanced and
controlled; territory is closed off and subject to constant
surveillance. Together these works present a picture of digital arts
practice in New Zealand today.
Cloudland
opens to the public on 24th July at The Substation, the
leading experimental gallery in Singapore. Cloudland has
received
substantial support from Creative New Zealand and the Asia New Zealand
Foundation, with additional support from the Len Lye Foundation, AUT
University, University of Canterbury, Otago Polytechnic, and the
Auckland Art Gallery.
Etherradio
Live
Performance by Adam Willetts and PSN Electronic
(Peter Stapleton, Su Ballard, and Nathan Thompson)
Substation Theatre, 27 July 2008, 10:30pm
Adam Willetts and PSN Electronic will create live improvised versions
of their sound works in the Etherradio
Series. In performance these works engage with the
particularities of the Singaporean radioscape - shaped by a very
different combinations of atmospheric, political and geographic
conditions than New Zealand’s.
The
Substation
The Substation, a home for the arts, is Singapore's first independent
contemporary arts centre.
45 Armenian Street, Singapore
ph +65 6337 7535
admin@substation.org
Location and map: http://www.substation.org/about_us/contact_us.html
ISEA
2008
The International Symposium of Electronic Arts, ISEA, is hosted
biennially by a different city. 2008 marks only the second time ISEA
has been held in Asia, and Aotearoa Digital Arts is honoured to be
chosen to represent New Zealand at this significant moment in the
regional and international development of electronic arts. As the
premier international electronic arts event, ISEA brings together
artists, theorists, historians, curators and researchers of media arts
from around the world to present artworks and research, and to discuss
the problems and possibilities of media arts globally, this year with a
particular focus on the Asia-Pacific region.
More information on ISEA, including exhibitions and conference
programme:
http://www.isea2008singapore.org/
The Aotearoa
Digital Arts Reader
Launch: Monday 28 July 2008, 12:30-2pm
in the Salon Room, Singapore National Museum
New Zealand Launch: Friday 15 August 2008, 5:30pm
St Paul St Gallery, AUT, Auckland
In addition to the presentation of Cloudland, the New Zealand High
Commission will host the ISEA 2008 launch of The Aotearoa Digital Arts
Reader, a substantial new book on digital arts practice in New Zealand
edited by Stella Brennan and Su Ballard, and published by Clouds.
A comprehensive anthology, The Aotearoa Digital Arts Reader provides a
snapshot of digital art practice in Aotearoa New Zealand. Editors
Stella Brennan and Su Ballard present essays, artists’
pageworks and personal accounts that explore the production and
reception of digital art. Ranging from research into the preservation
of digital artworks to the environmental impact of electronic culture,
from discussions of lo-tech aesthetics to home gaming, and from
sophisticated data mapping to pre-histories of new media, this book
presents a screen grab of digital art in Aotearoa New Zealand.
All contributors are members of Aotearoa Digital Arts (ADA), New
Zealand’s only digital artists’ network. With its
mix of work by artists, theorists and educators, this reader represents
some of the best new thinking about digital art practices in Aotearoa
New Zealand, reflecting the politics of location, yet highly relevant
to the wider contexts of digital media art and culture.
More information and purchase details: http://www.clouds.co.nz/
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